If they won’t let NELLY & JOE out of psychiatry, i should cancel Swords into Plowshares, cancel human Civilization.
Son of God
Title: “Christ Consciousness” – A Conversation About Diogo Morgado
Scene: Joe Jukic and Luis Morgado sit in a dimly lit living room, the credits of Son of God rolling on the TV screen. They’re silent for a moment, absorbing what they’ve just watched. Then, Joe turns to Luis, thoughtful.
JOE (leaning forward)
You feel it too, don’t you?
LUIS (nodding slowly)
Yeah. It’s not just the acting. There’s something else.
JOE
Exactly. He’s not just playing Jesus. It’s like… he knows Him.
LUIS (smirking slightly)
Or is Him, in some way.
JOE (pointing at him)
That’s what I’m saying! Diogo’s got that thing—what did Oprah call it?
LUIS
“Christ Consciousness.”
JOE (snapping his fingers)
Yes! That’s it. It’s not just a performance. It’s an energy.
LUIS (leaning back, arms crossed)
You think he’s aware of it? That he’s carrying that?
JOE
I don’t know. Maybe not in an egotistical way. But when you see him in this role—the way he speaks, the way he looks at people—it’s not just acting. It’s like he’s tapped into something real.
LUIS (thoughtful)
Oprah talks about it like it’s a universal love, a higher awareness. And Diogo… he doesn’t just portray it. He radiates it.
JOE (grinning)
So what you’re telling me is… Diogo Morgado might actually be an ascended master?
LUIS (laughing)
Hey, I’m just saying—if there’s anyone out there who could convince me Christ Consciousness is real, it’s him.
JOE (raising an imaginary glass)
Then here’s to Diogo—the man who made us believe, even just for two hours.
LUIS (raising his own imaginary glass, smiling)
Amen.
(They both laugh as the screen fades to black.)
Closing Note: A lighthearted but deep conversation about presence, spirituality, and the power of performance—with just the right touch of reverence and humor.
How Soon Is Now
Title: The Three Heirs
In a dimly lit monastery library high in the Portuguese hills, three men stand before an ancient scroll sealed with red wax.
Luis Morgado, the quiet scholar, traces the faded ink with reverent fingers. His voice is steady:
“The bloodline did not vanish. It waited. In silence. For us.”
Diogo Morgado, the charismatic actor whose portrayal of Christ once moved millions, steps forward. His eyes burn with conviction:
“I’ve worn His crown in story… but now I feel the weight in truth. The legacy is ours to guard.”
And between them, Joe C. Jukic—known to some as JCJ—the maverick wanderer whose life has been a string of prophetic encounters. He holds the key found in Jerusalem’s old quarter, inscribed in Aramaic:
“The legacy is not a relic—it is a responsibility. We are not kings, but servants. And the world is starving for what we must give.”
The three clasp hands over the scroll as the bells toll midnight. Outside, storm clouds gather—not from weather, but from powers who have long sought to bury this truth.
Some call them pretenders. Others call them blasphemers.
But they call themselves… The Heirs to the Legacy of Christ.
And their mission has just begun.
Diogo Morgado and the Duality of Man
Luis Morgado, in this vision, speaks with deep reverence and a touch of anxiety about the bold artistic and spiritual risks his cousin Diogo Morgado took by portraying both Christ and Lucifer — roles traditionally seen as cosmic opposites. According to Luis, this was not just an acting challenge but a metaphysical gamble.
“Diogo wasn’t trying to blaspheme,” Luis explains. “He was trying to reveal something hidden — the duality in man, and the duality even in the figure we call the Son of Man. That’s where the power of his portrayal lies.”
Luis says Diogo studied not only Scripture but mystic texts and apocryphal writings, and came across a radical idea embedded in Revelation 22:16, where Christ says:
“I am the Root and the Offspring of David, and the bright Morning Star.”
To the traditional reader, it’s a beautiful, poetic phrase. But to those familiar with Isaiah 14:12 — where Lucifer is also called the morning star, son of the dawn — it evokes an unsettling symmetry.
Luis claims Diogo wanted to explore that very tension:
“The Morning Star is a mirror — it reflects both the highest and the lowest. Christ names himself that to show he has conquered it, not to hide it.”
Luis quotes Diogo as saying during rehearsal:
“If Christ could not be tempted by pride, his humility would be meaningless. He had to carry the capacity for it inside. That’s what gives his confession power.”
This leads to the secret Luis believes is buried in Revelation 22 — a confession. Christ, in his full divine transparency, admits to harboring the same spark that made Lucifer fall: the pride of being like God. But instead of hiding it, Christ names it, exposes it, and in doing so, disarms it.
Luis concludes:
“You cannot cast out a demon you refuse to name. That is the secret of Revelation. Confession is the key. Even Christ had to confess it to destroy it.”
The implication is daring: redemption does not come from being perfect, but from being honest. From naming the morning star within — not to worship it, but to crucify it.
A dangerous theology? Perhaps.
But Luis says Diogo’s performances were prayers as much as they were portrayals — rituals of exposure.
He feared the Church might excommunicate him. But instead, the silence was worse.
“They knew he touched the veil,” Luis whispers. “And they dared not look through.”